This letter from E. B. White’s wife, Katharine White, to Ursula Nordstrom, head of the U.S. Harper Children’s division, expresses her husband’s excitement... More
When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
Head of William Morrow and Company (later acquired by HarperCollins) since the death of its founder in 1931, Thayer Hobson searched widely for promising new authors, often traveling to Europe in pursuit of his next big title. More
In 1958, an editor at Collins named Barbara Ker Wilson received a manuscript submission about a talking bear, which she opened with “initial suspicion” —as the publisher had received many other proposals featuring humanized animals that “are invariably either whimsy-whamsy, written down, or filled with adult innuendoes.” More
Harper & Brothers turned down Herman Melville’s first book, Typee: A Peep at Polynesian Life, and it was released to strong sales by another publisher. More
When acclaimed illustrator Garth Williams was commissioned to create new illustrations for Laura Ingalls Wilder's Little House series, he traveled west to see the actual sites Wilder referred to in her writings and to meet Laura herself. More
Children’s books explored uncharted territory in the mid-1960s as Harper & Row began to champion boundary-pushing children’s and young adult books. More
While at lunch with his editor, Iris Tupholme, Canadian author Timothy Findley reached into his pocket to read from a note that he had written on the inside flap of his cigarette package. More
Harper & Row publishes the first book in Armistead Maupin’s Tales of the City series after it is serialized in the San Francisco Chronicle. The series highlights gay issues and becomes a cultural icon for generations of readers. More