At the turn of the century, William Collins III combined innovative packaging and distribution with innovative aesthetics by creating shilling-priced illustrated paperbacks. More
In this photograph, Charles H. Sweeny, Editorial and Production, F. F. Appleton, publisher (center), and Margaret V. Paull, staff artist and typographer, plan the first Canadian production of Little Grey Rabbit Books. More
Children’s books explored uncharted territory in the mid-1960s as Harper & Row began to champion boundary-pushing children’s and young adult books. More
The Harper brothers first began publishing in the early 1800s, when emerging technologies were fundamentally changing the process of printing–replacing the painstaking compositing, inking, and pulling processes needed for each page. More
In the mid-late 1800s, Harper & Brothers reprinted several milestone titles in the history of British feminist literature as well as the global canon, such as Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Jane Eyre (1847), and Anne Brontë’s The Tenant of Wildfell Hall (1848), as well as George Eliot’s Middlemarch (1872). More
Inspired by an occasion in which she attempted to find an appropriate book for a young boy who had just learned to read, Boston librarian Virginia Haviland telephoned her friend Ursula Nordstrom, the head of children’s publishing at Harper & Brothers. More
Grace Campbell’s debut novel, Thorn-Apple Tree, was one of the earliest works of fiction written by a Canadian to be published by William Collins Sons & Co. Canada Ltd. More
Although word-processing programs and electronic typewriters had been around since the late 1960s, Harper & Row was the first to help pioneer electronic publishing with Andrew Garve’s The Long Short Cut in 1968, which was, according to the New York Times, “the first book set into type completely by electronic composition.” More
Chips, cookies, sodas–and books–from a vending machine. Avon’s entertaining comic books—western, horror, romance, war, science fiction, and gangster titles, mostly—appealed to readers of all ages from 1945 through the mid-1950s. More
Collins is the first to publish a series of illustrated, shilling-priced pocket size classics with the introduction of Collins Illustrated Pocket Classics. Included in this series are a maroon cloth-bound David Copperfield, many other Charles Dickens favorites, Sir Walter Scott’s Kenilworth, George Eliot’s Adam Bede, and Charlotte Brontë’s Shirley. More
Billy Collins, William Collins Sons & Co.’s incumbent chairman, greets Queen Elizabeth II and Prince Philip, Duke of Edinburgh, at the Collins Glasgow offices as part of the company’s celebration of its 150th anniversary in 1969. More
The Harper offices in New York City were claimed by fire in 1853, when a plumber lit a lamp with a roll of paper and then attempted to extinguish the burning roll in a tub of water. More
In 1952, Barbara Cohen and Marianne Roney, a pair of recent college graduates, wrote a letter to Welsh poet Dylan Thomas that contained an unusual business proposal. More
To launch the new Canadian trade paperback imprint Totem, in September 1975, Collins Canada’s head of publicity Lucinda Vardey organized the release of hot air balloons over Toronto and neighboring suburbs. More
Sir Stanley Unwin, chairman of British publishers George Allen & Unwin (later acquired by HarperCollins), originally rejected the 9,250-page manuscript of The Lord of the Rings, the sequel to J. R. R. Tolkien’s moderately successful (at the time) The Hobbit, as it was too long, and the author would make a deal with the publisher only if they also agreed to take another of his unfinished books. More
Thomas Nelson becomes the first British publishing house to have a branch in the United States when it opens an office at 131 Nassau Street in New York City. More