Virginia Kirkus, inaugural department editor of Harper’s Department of Books for Boys and Girls, launches Laura Ingalls Wilder with the publication of Little House in the Big Woods.More
When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
When acclaimed illustrator Garth Williams was commissioned to create new illustrations for Laura Ingalls Wilder's Little House series, he traveled west to see the actual sites Wilder referred to in her writings and to meet Laura herself. More
As the younger sister of an adored (sometimes overly perfect) sister, discovering Ramona and Beezus and the gang on Klikitat Street was a life-changer for me. More
In the mid-late 1800s, Harper & Brothers reprinted several milestone titles in the history of British feminist literature as well as the global canon, such as Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Jane Eyre (1847), and Anne Brontë’s The Tenant of Wildfell Hall (1848), as well as George Eliot’s Middlemarch (1872). More
I write because of readers like Diana Moreno, who handed me a letter recently telling me that, as the firstborn daughter of immigrants, she felt lonely and shy when she arrived here in 2004 . . . until she found my books. More
I read because I love language, the way the joining of words and the rhythm of a story can make me laugh, cry, or take me out of my world or immerse me in the lives of others. More