As the younger sister of an adored (sometimes overly perfect) sister, discovering Ramona and Beezus and the gang on Klikitat Street was a life-changer for me. More
I like above all to share the excitement of my dreams and discoveries, my doubts and fears, my joys and my sorrows, to take my readers on new journeys with me. More
When acclaimed illustrator Garth Williams was commissioned to create new illustrations for Laura Ingalls Wilder's Little House series, he traveled west to see the actual sites Wilder referred to in her writings and to meet Laura herself. More
When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
I read because I love language, the way the joining of words and the rhythm of a story can make me laugh, cry, or take me out of my world or immerse me in the lives of others. More
In the mid-late 1800s, Harper & Brothers reprinted several milestone titles in the history of British feminist literature as well as the global canon, such as Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Jane Eyre (1847), and Anne Brontë’s The Tenant of Wildfell Hall (1848), as well as George Eliot’s Middlemarch (1872). More