In 1860, Harper & Brothers had paid Wilkie Collins £750 for The Woman in White, which heralded the publisher’s entry into the crime and mystery genre. More
Illustrator Syd Hoff sent these sketches to Ursula Nordstrom, head of the U.S. Harper Children’s division, as suggestions for the now-classic Danny and the Dinosaur.More
Harper & Brothers helped groom the image of a future president when it agreed in the mid-1950s to work with a young senator on a collection of biographical sketches about courageous American lawmakers. More
Betty Smith’s A Tree Grows in Brooklyn, a story about growing up poor in turn-of-the-century Brooklyn, shines a light on first- and second-generation Americans living in poverty. More
In 1958, an editor at Collins named Barbara Ker Wilson received a manuscript submission about a talking bear, which she opened with “initial suspicion” —as the publisher had received many other proposals featuring humanized animals that “are invariably either whimsy-whamsy, written down, or filled with adult innuendoes.” More
This original illustration by Italian artist Giorgio de Gasperi was used as cover art for a 1965 edition of The Lion, the Witch and the Wardrobe published by Collins in the U.K. More
Collins maintained combined office and warehouse space at Bridewell Place in London for many years, and in 1917, its new London publishing office at 48 Pall Mall was complemented by printing works in Mayfair that included a state-of-the-art bindery, warehouse, and distribution center. More
Stella Miles Franklin submitted this letter along with the manuscript of her first novel, My Brilliant Career, to Angus & Robertson in Australia, in March 1899, when she was just nineteen years old. More