In early 1945, Ursula Nordstrom, head of Harper’s Department of Books for Boys and Girls was awaiting completion of E. B. White’s manuscript for a children’s story about a talking mouse, titled Stuart Little. More
This original illustration by Italian artist Giorgio de Gasperi was used as cover art for a 1965 edition of The Lion, the Witch and the Wardrobe published by Collins in the U.K. More
Harper & Brothers publishes Profiles in Courage by John F. Kennedy, which wins the Pulitzer Prize in 1957 and helps propel the young senator to the White House. More
J. B. Lippincott publishes the Pulitzer Prize–winning To Kill a Mockingbird by Harper Lee, one of the most influential books on race in America, which goes on to sell more than 40 million copies. More
When Richard H.G. Bonnycastle, a former Arctic explorer with the Hudson Bay Company, launched Harlequin Books in Winnipeg in 1948, he had little interest in building a publishing empire around romance novels. More
Clive Staples Lewis (better known as C. S. Lewis) loved nothing more than sitting in the back room of his favorite pub, The Eagle and Child, surrounded by his closest literary friends, including J. R. R. Tolkien. More
Born in 1898 in Belfast, Clive Staples Lewis lost his faith in Christianity at a young age after his mother died and he was sent away to boarding school. More
Stella Miles Franklin submitted this letter along with the manuscript of her first novel, My Brilliant Career, to Angus & Robertson in Australia, in March 1899, when she was just nineteen years old. More
In 1958, an editor at Collins named Barbara Ker Wilson received a manuscript submission about a talking bear, which she opened with “initial suspicion” —as the publisher had received many other proposals featuring humanized animals that “are invariably either whimsy-whamsy, written down, or filled with adult innuendoes.” More
When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
Collins maintained combined office and warehouse space at Bridewell Place in London for many years, and in 1917, its new London publishing office at 48 Pall Mall was complemented by printing works in Mayfair that included a state-of-the-art bindery, warehouse, and distribution center. More
In this photograph, Charles H. Sweeny, Editorial and Production, F. F. Appleton, publisher (center), and Margaret V. Paull, staff artist and typographer, plan the first Canadian production of Little Grey Rabbit Books. More