Illustrator Syd Hoff sent these sketches to Ursula Nordstrom, head of the U.S. Harper Children’s division, as suggestions for the now-classic Danny and the Dinosaur.More
J. & J. Harper is the first publisher to adopt the process of stereotyping, using papier-mâché molds to forge reusable metal plates of entire pages. More
Collins is the first to publish a series of illustrated, shilling-priced pocket size classics with the introduction of Collins Illustrated Pocket Classics. Included in this series are a maroon cloth-bound David Copperfield, many other Charles Dickens favorites, Sir Walter Scott’s Kenilworth, George Eliot’s Adam Bede, and Charlotte Brontë’s Shirley. More
In this photograph, Charles H. Sweeny, Editorial and Production, F. F. Appleton, publisher (center), and Margaret V. Paull, staff artist and typographer, plan the first Canadian production of Little Grey Rabbit Books. More
At the turn of the century, William Collins III combined innovative packaging and distribution with innovative aesthetics by creating shilling-priced illustrated paperbacks. More
Illustrator Thomas Nast first made his name documenting the Civil War in all its gruesome reality, but he is best known for developing the political cartoon form and our modern depictions of Santa Claus. More
James Harper went to Europe in 1835 to compile a set of fairy tales for publication, and Harper & Brothers enlisted Joseph A. Adams to make 81 detailed wood-cut engravings for the collection. More
This original illustration by Italian artist Giorgio de Gasperi was used as cover art for a 1965 edition of The Lion, the Witch and the Wardrobe published by Collins in the U.K. More
In early 1945, Ursula Nordstrom, head of Harper’s Department of Books for Boys and Girls was awaiting completion of E. B. White’s manuscript for a children’s story about a talking mouse, titled Stuart Little. More