Here you can see the progression of the cover art for the Collins Crime Club title Nothing is the Number When You Die by Joan Fleming (circa 1940s). More
In 1839, American diplomat John Lloyd Stephens and British artist Frederick Catherwood—both already celebrated for their adventures in Egypt, the Holy Land, Greece, and Rome—sailed together out of New York harbor on an expedition into the forbidding rain forests of present-day Honduras, Guatemala, and Mexico. More
This original illustration by Italian artist Giorgio de Gasperi was used as cover art for a 1965 edition of The Lion, the Witch and the Wardrobe published by Collins in the U.K. More
Collins is the first to publish a series of illustrated, shilling-priced pocket size classics with the introduction of Collins Illustrated Pocket Classics. Included in this series are a maroon cloth-bound David Copperfield, many other Charles Dickens favorites, Sir Walter Scott’s Kenilworth, George Eliot’s Adam Bede, and Charlotte Brontë’s Shirley. More
Although word-processing programs and electronic typewriters had been around since the late 1960s, Harper & Row was the first to help pioneer electronic publishing with Andrew Garve’s The Long Short Cut in 1968, which was, according to the New York Times, “the first book set into type completely by electronic composition.” More
When acclaimed illustrator Garth Williams was commissioned to create new illustrations for Laura Ingalls Wilder's Little House series, he traveled west to see the actual sites Wilder referred to in her writings and to meet Laura herself. More