J. & J. Harper is the first publisher to adopt the process of stereotyping, using papier-mâché molds to forge reusable metal plates of entire pages. More
This original illustration by Italian artist Giorgio de Gasperi was used as cover art for a 1965 edition of The Lion, the Witch and the Wardrobe published by Collins in the U.K. More
Garth Williams was a little-known but talented young illustrator when he was commissioned by Ursula Nordstrom, head of Harper’s Department of Books for Boys and Girls, to illustrate the classic Stuart Little by E. B. White. More
Although word-processing programs and electronic typewriters had been around since the late 1960s, Harper & Row was the first to help pioneer electronic publishing with Andrew Garve’s The Long Short Cut in 1968, which was, according to the New York Times, “the first book set into type completely by electronic composition.” More
Collins is the first to publish a series of illustrated, shilling-priced pocket size classics with the introduction of Collins Illustrated Pocket Classics. Included in this series are a maroon cloth-bound David Copperfield, many other Charles Dickens favorites, Sir Walter Scott’s Kenilworth, George Eliot’s Adam Bede, and Charlotte Brontë’s Shirley. More
When acclaimed illustrator Garth Williams was commissioned to create new illustrations for Laura Ingalls Wilder's Little House series, he traveled west to see the actual sites Wilder referred to in her writings and to meet Laura herself. More
Illustrator Thomas Nast first made his name documenting the Civil War in all its gruesome reality, but he is best known for developing the political cartoon form and our modern depictions of Santa Claus. More
In early 1945, Ursula Nordstrom, head of Harper’s Department of Books for Boys and Girls was awaiting completion of E. B. White’s manuscript for a children’s story about a talking mouse, titled Stuart Little. More