I read because I want to know what it’s like to look at the world through someone else’s eyes, and reading is a remarkably efficient and vigorous way of doing that. More
In 1958, an editor at Collins named Barbara Ker Wilson received a manuscript submission about a talking bear, which she opened with “initial suspicion” —as the publisher had received many other proposals featuring humanized animals that “are invariably either whimsy-whamsy, written down, or filled with adult innuendoes.” More
HarperCollins’s connections to nascent science fiction and fantasy worlds began with works such as Edward Lytton Bulwer’s The Coming Race (1871), and H. G. Wells’s The War of the Worlds (1898) and The Invisible Man (1898). More
Betty Smith's A Tree Grows in Brooklyn (1943), a story about growing up poor in turn-of-the-century Brooklyn, was originally an entry for a Harper & Brothers memoir contest. More
Born in London in 1944, Bernard Cornwell grew up in Essex and, after a stint as a teacher, moved on to the BBC, where he took a job as a producer in Northern Ireland. More
This 1963 marketing and publicity brochure for Charlotte’s Web by E. B. White includes a letter from White explaining how he got the idea for the story. More
William Peter Blatty’s The Exorcist becomes the first horror story to reach number one on the New York Times bestseller list and helps initiate the modern horror film movement. More
I write because of readers like Diana Moreno, who handed me a letter recently telling me that, as the firstborn daughter of immigrants, she felt lonely and shy when she arrived here in 2004 . . . until she found my books. More
One of the reasons HarperCollins has been my most frequent publisher for thirty-three years is that I admired three children’s books published by Harper & Row within a year of each other (the year I was turning nine). More