When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
Signed with a paw print, this letter from “Padington” (circa 1966) was sent to Australian booksellers and sales staff, encouraging them to sell the latest Paddington title. More
William Collins introduces new steam presses, allowing Collins and Sons to publish Shakespeare and The Pilgrim’s Progress in affordable editions available to the masses. More
Harper editor Ferd Monjo wrote this letter to the head of the U.S. Harper Children’s division, Ursula Nordstrom, regarding a manuscript he had received in July 1968. More
William Peter Blatty’s The Exorcist becomes the first horror story to reach number one on the New York Times bestseller list and helps initiate the modern horror film movement. More
In the mid-1970s Bible publisher Thomas Nelson found itself with extra capital and decided to channel these profits into the New King James Version of the Bible. More
Harper & Row publishes the first book in Armistead Maupin’s Tales of the City series after it is serialized in the San Francisco Chronicle. The series highlights gay issues and becomes a cultural icon for generations of readers. More
The I Can Read! series launches with the publication of Little Bear, written by Else Holmelund Minarik and illustrated by Maurice Sendak, and becomes the number one beginning reader series in the United States. More
In 1800, an upstart 20-year-old printer named Thomas Neilson (who later changed his name to Nelson) set off a firestorm of controversy throughout the Scottish publishing world by offering something never before seen in Great Britain: classic books produced and printed for “the common man.” More
The Harper brothers first began publishing in the early 1800s, when emerging technologies were fundamentally changing the process of printing–replacing the painstaking compositing, inking, and pulling processes needed for each page. More
Collins is the first to publish a series of illustrated, shilling-priced pocket size classics with the introduction of Collins Illustrated Pocket Classics. Included in this series are a maroon cloth-bound David Copperfield, many other Charles Dickens favorites, Sir Walter Scott’s Kenilworth, George Eliot’s Adam Bede, and Charlotte Brontë’s Shirley. More
J. & J. Harper is the first publisher to adopt the process of stereotyping, using papier-mâché molds to forge reusable metal plates of entire pages. More