In 1800, an upstart 20-year-old printer named Thomas Neilson (who later changed his name to Nelson) set off a firestorm of controversy throughout the Scottish publishing world by offering something never before seen in Great Britain: classic books produced and printed for “the common man.” More
William Collins introduces new steam presses, allowing Collins and Sons to publish Shakespeare and The Pilgrim’s Progress in affordable editions available to the masses. More
For years, the Harper brothers relied on a white draft horse named Dobbin, who plodded a circular path in the basement of their offices, turning a wooden shaft that powered the Treadwell hand press two floors above, until new technology sent him out to pasture. More
James Harper went to Europe in 1835 to compile a set of fairy tales for publication, and Harper & Brothers enlisted Joseph A. Adams to make 81 detailed wood-cut engravings for the collection. More
Harper editor Ferd Monjo wrote this letter to the head of the U.S. Harper Children’s division, Ursula Nordstrom, regarding a manuscript he had received in July 1968. More
Though a shared love of the written word inspired those who laid the foundation of HarperCollins, spreading Christian principles was a calling for them. More
Signed with a paw print, this letter from “Padington” (circa 1966) was sent to Australian booksellers and sales staff, encouraging them to sell the latest Paddington title. More
Thomas Nelson commissions 130 scholars, pastors, and lay Christians to create the New King James Version (NKJV) of the Bible, aiming to “retain the purity and stylistic beauty” of the original King James produced in 1611. More
When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
Children’s books explored uncharted territory in the mid-1960s as Harper & Row began to champion boundary-pushing children’s and young adult books. More
When acclaimed illustrator Garth Williams was commissioned to create new illustrations for Laura Ingalls Wilder's Little House series, he traveled west to see the actual sites Wilder referred to in her writings and to meet Laura herself. More
In 1839, American diplomat John Lloyd Stephens and British artist Frederick Catherwood—both already celebrated for their adventures in Egypt, the Holy Land, Greece, and Rome—sailed together out of New York harbor on an expedition into the forbidding rain forests of present-day Honduras, Guatemala, and Mexico. More
The I Can Read! series launches with the publication of Little Bear, written by Else Holmelund Minarik and illustrated by Maurice Sendak, and becomes the number one beginning reader series in the United States. More
The efforts of one man in the mid-1950s brought about the publication of the New International Version of the Bible, a contemporary English translation that provided an accurate and understandable alternative to the King James Version, which had been the dominant translation for centuries. More
Although word-processing programs and electronic typewriters had been around since the late 1960s, Harper & Row was the first to help pioneer electronic publishing with Andrew Garve’s The Long Short Cut in 1968, which was, according to the New York Times, “the first book set into type completely by electronic composition.” More
The Harper brothers first began publishing in the early 1800s, when emerging technologies were fundamentally changing the process of printing–replacing the painstaking compositing, inking, and pulling processes needed for each page. More
The Harper offices in New York City were claimed by fire in 1853, when a plumber lit a lamp with a roll of paper and then attempted to extinguish the burning roll in a tub of water. More