Although word-processing programs and electronic typewriters had been around since the late 1960s, Harper & Row was the first to help pioneer electronic publishing with Andrew Garve’s The Long Short Cut in 1968, which was, according to the New York Times, “the first book set into type completely by electronic composition.” More
HarperCollins expands from a primarily English-language publisher to one publishing in 17 languages, with operations in 18 countries around the world. More
William Peter Blatty’s The Exorcist becomes the first horror story to reach number one on the New York Times bestseller list and helps initiate the modern horror film movement. More
In the mid-1970s Bible publisher Thomas Nelson found itself with extra capital and decided to channel these profits into the New King James Version of the Bible. More
When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
Zondervan publishes the New International Version (NIV) of the Bible, a contemporary English translation that provides an accurate and understandable alternative to the King James Version. More
Harper & Row publishes the first book in Armistead Maupin’s Tales of the City series after it is serialized in the San Francisco Chronicle. The series highlights gay issues and becomes a cultural icon for generations of readers. More
Thomas Nelson commissions 130 scholars, pastors, and lay Christians to create the New King James Version (NKJV) of the Bible, aiming to “retain the purity and stylistic beauty” of the original King James produced in 1611. More
Collins is the first to publish a series of illustrated, shilling-priced pocket size classics with the introduction of Collins Illustrated Pocket Classics. Included in this series are a maroon cloth-bound David Copperfield, many other Charles Dickens favorites, Sir Walter Scott’s Kenilworth, George Eliot’s Adam Bede, and Charlotte Brontë’s Shirley. More
Chips, cookies, sodas–and books–from a vending machine. Avon’s entertaining comic books—western, horror, romance, war, science fiction, and gangster titles, mostly—appealed to readers of all ages from 1945 through the mid-1950s. More
Lawrence Heisey, a former soap salesman who had been appointed president of Harlequin in 1971, revolutionized romance publishing by distributing Harlequin romances to supermarkets and department stores, where they would be right at the fingertips of Canadian and American homemakers. More
When acclaimed illustrator Garth Williams was commissioned to create new illustrations for Laura Ingalls Wilder's Little House series, he traveled west to see the actual sites Wilder referred to in her writings and to meet Laura herself. More
James Harper went to Europe in 1835 to compile a set of fairy tales for publication, and Harper & Brothers enlisted Joseph A. Adams to make 81 detailed wood-cut engravings for the collection. More
Inspired by an occasion in which she attempted to find an appropriate book for a young boy who had just learned to read, Boston librarian Virginia Haviland telephoned her friend Ursula Nordstrom, the head of children’s publishing at Harper & Brothers. More
John Gray’s Men Are from Mars, Women Are from Venus is published and becomes one of the bestselling nonfiction books of the 1990s, launching an era of gender and relationship dialogue. More