Children’s books explored uncharted territory in the mid-1960s as Harper & Row began to champion boundary-pushing children’s and young adult books. More
Garth Williams was a little-known but talented young illustrator when he was commissioned by Ursula Nordstrom, head of Harper’s Department of Books for Boys and Girls, to illustrate the classic Stuart Little by E. B. White. More
Inspired by an occasion in which she attempted to find an appropriate book for a young boy who had just learned to read, Boston librarian Virginia Haviland telephoned her friend Ursula Nordstrom, the head of children’s publishing at Harper & Brothers. More
As the younger sister of an adored (sometimes overly perfect) sister, discovering Ramona and Beezus and the gang on Klikitat Street was a life-changer for me. More
This original illustration by Italian artist Giorgio de Gasperi was used as cover art for a 1965 edition of The Lion, the Witch and the Wardrobe published by Collins in the U.K. More
HarperCollins expands from a primarily English-language publisher to one publishing in 17 languages, with operations in 18 countries around the world. More
William Collins and Sons purchases the religious publishing firm of Geoffrey Bles, Ltd., gaining the rights to the works of C. S. Lewis, including his Chronicles of Narnia fantasy books. More
In this letter to Collins publisher Billy Collins, dated November 1954, C. S. Lewis—author of The Chronicles of Narnia series, Mere Christianity, and The Screwtape Letters, among others—outlines what he sees as his three types of “literary output”: “A. Religious and General. B. Fiction. C. Academic.” More