Illustrator Syd Hoff sent these sketches to Ursula Nordstrom, head of the U.S. Harper Children’s division, as suggestions for the now-classic Danny and the Dinosaur.More
In this photograph, Charles H. Sweeny, Editorial and Production, F. F. Appleton, publisher (center), and Margaret V. Paull, staff artist and typographer, plan the first Canadian production of Little Grey Rabbit Books. More
Here you can see the progression of the cover art for the Collins Crime Club title Nothing is the Number When You Die by Joan Fleming (circa 1940s). More
In early 1945, Ursula Nordstrom, head of Harper’s Department of Books for Boys and Girls was awaiting completion of E. B. White’s manuscript for a children’s story about a talking mouse, titled Stuart Little. More
In 1839, American diplomat John Lloyd Stephens and British artist Frederick Catherwood—both already celebrated for their adventures in Egypt, the Holy Land, Greece, and Rome—sailed together out of New York harbor on an expedition into the forbidding rain forests of present-day Honduras, Guatemala, and Mexico. More
Illustrator Thomas Nast first made his name documenting the Civil War in all its gruesome reality, but he is best known for developing the political cartoon form and our modern depictions of Santa Claus. More
This original illustration by Italian artist Giorgio de Gasperi was used as cover art for a 1965 edition of The Lion, the Witch and the Wardrobe published by Collins in the U.K. More