Charlotte’s Web

Considered a classic of children’s literature; a novel of friendship, love, life, and death. More

Social Change: Women Writers

In the mid-late 1800s, Harper & Brothers reprinted several milestone titles in the history of British feminist literature as well as the global canon, such as Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Jane Eyre (1847), and Anne Brontë’s The Tenant of Wildfell Hall (1848), as well as George Eliot’s Middlemarch (1872). More

Tales of the City

First book in Maupin’s acclaimed and groundbreaking series documenting San Francisco’s underground and gay culture. More

Garth Williams, Illustrator

Garth Williams was a little-known but talented young illustrator when he was commissioned by Ursula Nordstrom, head of Harper’s Department of Books for Boys and Girls, to illustrate the classic Stuart Little by E. B. White. More

Jane Eyre

Brontë’s masterpiece of Gothic romance; a milestone title in the history of British feminist literature. More

Native Son

Wright’s unsparing reflection on what it means to be black in America. More

Journey to Jo’burg

Groundbreaking book set in South Africa during the apartheid era and banned by its government. More

Bleak House

Dickens’s tenth novel, often considered his finest; significantly influenced the development of mystery novels. More

The Giving Tree

Poignant, game-changing picture book for readers of all ages that has been a favorite for generations. More

The Hobbit

In October 1936, Stanley Unwin, chairman of British publishers George Allen & Unwin (later acquired by HarperCollins), received a children’s book submission. More

Stuart Little

White’s beloved classic about a small mouse on a big adventure is a perennial bestseller. More

To Kill a Mockingbird

Much-loved Pulitzer Prize–winning classic, voted by librarians across America as the best novel of the twentieth century. More

J.R.R. Tolkien and the Trilogy

Sir Stanley Unwin, chairman of British publishers George Allen & Unwin (later acquired by HarperCollins), originally rejected the 9,250-page manuscript of The Lord of the Rings, the sequel to J. R. R. Tolkien’s moderately successful (at the time) The Hobbit, as it was too long, and the author would make a deal with the publisher only if they also agreed to take another of his unfinished books. More