Harper & Row publishes the first book in Armistead Maupin’s Tales of the City series after it is serialized in the San Francisco Chronicle. The series highlights gay issues and becomes a cultural icon for generations of readers. More
In 1958, an editor at Collins named Barbara Ker Wilson received a manuscript submission about a talking bear, which she opened with “initial suspicion” —as the publisher had received many other proposals featuring humanized animals that “are invariably either whimsy-whamsy, written down, or filled with adult innuendoes.” More
In October 1936, Stanley Unwin, chairman of British publishers George Allen & Unwin (later acquired by HarperCollins), received a children’s book submission. More
Garth Williams was a little-known but talented young illustrator when he was commissioned by Ursula Nordstrom, head of Harper’s Department of Books for Boys and Girls, to illustrate the classic Stuart Little by E. B. White. More
When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
Betty Smith's A Tree Grows in Brooklyn (1943), a story about growing up poor in turn-of-the-century Brooklyn, was originally an entry for a Harper & Brothers memoir contest. More
In the mid-late 1800s, Harper & Brothers reprinted several milestone titles in the history of British feminist literature as well as the global canon, such as Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Jane Eyre (1847), and Anne Brontë’s The Tenant of Wildfell Hall (1848), as well as George Eliot’s Middlemarch (1872). More