When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
I write because of readers like Diana Moreno, who handed me a letter recently telling me that, as the firstborn daughter of immigrants, she felt lonely and shy when she arrived here in 2004 . . . until she found my books. More
In 1958, an editor at Collins named Barbara Ker Wilson received a manuscript submission about a talking bear, which she opened with “initial suspicion” —as the publisher had received many other proposals featuring humanized animals that “are invariably either whimsy-whamsy, written down, or filled with adult innuendoes.” More
This original illustration by Italian artist Giorgio de Gasperi was used as cover art for a 1965 edition of The Lion, the Witch and the Wardrobe published by Collins in the U.K. More
Clive Staples Lewis (better known as C. S. Lewis) loved nothing more than sitting in the back room of his favorite pub, The Eagle and Child, surrounded by his closest literary friends, including J. R. R. Tolkien. More
Inspired by an occasion in which she attempted to find an appropriate book for a young boy who had just learned to read, Boston librarian Virginia Haviland telephoned her friend Ursula Nordstrom, the head of children’s publishing at Harper & Brothers. More
James Harper went to Europe in 1835 to compile a set of fairy tales for publication, and Harper & Brothers enlisted Joseph A. Adams to make 81 detailed wood-cut engravings for the collection. More
Virginia Kirkus, inaugural department editor of Harper’s Department of Books for Boys and Girls, launches Laura Ingalls Wilder with the publication of Little House in the Big Woods.More