When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
As the younger sister of an adored (sometimes overly perfect) sister, discovering Ramona and Beezus and the gang on Klikitat Street was a life-changer for me. More
This handwritten letter from Arnold Lobel to Ursula Nordstrom, head of the Harper Children’s division in the U.S., accompanied the submission of his manuscript for the now-classic Frog and Toad Are Friends. More
This original illustration by Italian artist Giorgio de Gasperi was used as cover art for a 1965 edition of The Lion, the Witch and the Wardrobe published by Collins in the U.K. More
Harper editor Ferd Monjo wrote this letter to the head of the U.S. Harper Children’s division, Ursula Nordstrom, regarding a manuscript he had received in July 1968. More
Virginia Kirkus, inaugural department editor of Harper’s Department of Books for Boys and Girls, launches Laura Ingalls Wilder with the publication of Little House in the Big Woods.More
Inspired by an occasion in which she attempted to find an appropriate book for a young boy who had just learned to read, Boston librarian Virginia Haviland telephoned her friend Ursula Nordstrom, the head of children’s publishing at Harper & Brothers. More
Collins author Judith Kerr may be best known in the UK for her classic children’s picture books The Tiger Who Came to Tea and Mog the Forgetful Cat, but she is also renowned for her powerful autobiographical novels about her childhood and young adulthood. More
This 1963 marketing and publicity brochure for Charlotte’s Web by E. B. White includes a letter from White explaining how he got the idea for the story. More