The Harper brothers consistently sought ways to reach more readers with less expensive publications, and in 1850 they revolutionized the concept of the modern literary magazine with Harper’s New Monthly Magazine. More
Harper & Brothers publishes the first American editions of Emily Brontë’s Wuthering Heights, Charlotte Brontë’s Jane Eyre, and Anne Brontë's The Tenant of Wildfell Hall. More
HarperCollins’s connections to nascent science fiction and fantasy worlds began with works such as Edward Lytton Bulwer’s The Coming Race (1871), and H. G. Wells’s The War of the Worlds (1898) and The Invisible Man (1898). More
Garth Williams was a little-known but talented young illustrator when he was commissioned by Ursula Nordstrom, head of Harper’s Department of Books for Boys and Girls, to illustrate the classic Stuart Little by E. B. White. More
For years, the Harper brothers relied on a white draft horse named Dobbin, who plodded a circular path in the basement of their offices, turning a wooden shaft that powered the Treadwell hand press two floors above, until new technology sent him out to pasture. More
Betty Smith’s A Tree Grows in Brooklyn, a story about growing up poor in turn-of-the-century Brooklyn, shines a light on first- and second-generation Americans living in poverty. More
One summer day in 1884, Horatio Harper, grandson of founder John Harper, began talking with a bright young boy during his regular steamboat commute from Long Island to Manhattan. More
In the mid-late 1800s, Harper & Brothers reprinted several milestone titles in the history of British feminist literature as well as the global canon, such as Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Jane Eyre (1847), and Anne Brontë’s The Tenant of Wildfell Hall (1848), as well as George Eliot’s Middlemarch (1872). More
Though a shared love of the written word inspired those who laid the foundation of HarperCollins, spreading Christian principles was a calling for them. More
When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
Harper & Brothers takes a clear stand in favor of abolition with the publication of Fanny Kemble’s Journal of a Residence on a Georgian Plantation in 1838–1839. More