Native Son

Wright’s unsparing reflection on what it means to be black in America. More

Social Change: Thomas Nast, Illustrator

Illustrator Thomas Nast first made his name documenting the Civil War in all its gruesome reality, but he is best known for developing the political cartoon form and our modern depictions of Santa Claus. More

Collins Operations during WWII

Collins maintained combined office and warehouse space at Bridewell Place in London for many years, and in 1917, its new London publishing office at 48 Pall Mall was complemented by printing works in Mayfair that included a state-of-the-art bindery, warehouse, and distribution center. More

Eugene Exman and Martin Luther King

Shortly after the Montgomery bus boycott of 1955 and ‘56, Harper & Brothers religious books editor Eugene Exman left New York City for Alabama and secured a meeting with Martin Luther King Jr. More

Amistad

HarperCollins’s Amistad Press is the oldest imprint devoted to titles for the African American market at any major New York publishing house. More

Tales of the City

First book in Maupin’s acclaimed and groundbreaking series documenting San Francisco’s underground and gay culture. More

The Known World

The Pulitzer Prize–winning novel that examines the troubling complexities of slavery. More

Red Scarf Girl

Searing memoir set during the height of the Cultural Revolution in China. More

Education and Publishing

Beginning in 1830, the Harper brothers believed that the increasingly literate populace might clamor for turnkey collections. More

Monster

Winner of the first Michael L. Printz Award and the Coretta Scott King Award. More

Social Change: Women Writers

In the mid-late 1800s, Harper & Brothers reprinted several milestone titles in the history of British feminist literature as well as the global canon, such as Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Jane Eyre (1847), and Anne Brontë’s The Tenant of Wildfell Hall (1848), as well as George Eliot’s Middlemarch (1872). More

To Kill a Mockingbird

When J. B. Lippincott (later acquired by HarperCollins) editor Therese (Tay) von Hohoff saw the first draft of Harper Lee’s To Kill a Mockingbird (1960), she saw a promising story, but one in need of some reshaping and editing. More