In 1860, Harper & Brothers had paid Wilkie Collins £750 for The Woman in White, which heralded the publisher’s entry into the crime and mystery genre. More
Chips, cookies, sodas–and books–from a vending machine. Avon’s entertaining comic books—western, horror, romance, war, science fiction, and gangster titles, mostly—appealed to readers of all ages from 1945 through the mid-1950s. More
In 1965, members from the Christian Reformed Church and a broad spectrum of evangelical churches, denominations, and organizations came together to discuss the creation of a new contemporary translation of the Bible. More
By the 1990s, Harlequin had become synonymous with romance novels, grown the category into a score of successful subgenre lines, opened offices around the world, and seen its books made available in more than 100 countries and 30 languages. More
At the turn of the century, William Collins III combined innovative packaging and distribution with innovative aesthetics by creating shilling-priced illustrated paperbacks. More
Zondervan publishes the New International Version (NIV) of the Bible, a contemporary English translation that provides an accurate and understandable alternative to the King James Version. More
In 1800, an upstart 20-year-old printer named Thomas Neilson (who later changed his name to Nelson) set off a firestorm of controversy throughout the Scottish publishing world by offering something never before seen in Great Britain: classic books produced and printed for “the common man.” More
Born on the south side of Glasgow in the village of Pollokshaws in 1789, William Collins left school to work as a weaver and clerk in a local cotton mill. More
Grace Campbell’s debut novel, Thorn-Apple Tree, was one of the earliest works of fiction written by a Canadian to be published by William Collins Sons & Co. Canada Ltd. More
Thomas Nelson becomes the first British publishing house to have a branch in the United States when it opens an office at 131 Nassau Street in New York City. More