Here you can see the progression of the cover art for the Collins Crime Club title Nothing is the Number When You Die by Joan Fleming (circa 1940s). More
Billy Collins, William Collins Sons & Co.’s incumbent chairman, greets Queen Elizabeth II and Prince Philip, Duke of Edinburgh, at the Collins Glasgow offices as part of the company’s celebration of its 150th anniversary in 1969. More
In 1977, a handful of Harper & Row employees from the Religious Books Department moved from New York to San Francisco to focus on titles pertaining to mind, body, and spirit. More
Harper & Row publishes the first English translation of One Hundred Years of Solitude by Gabriel García Márquez, establishing him as a leading young Latin American writer and a dominant and innovative figure on the global literary scene. More
Betty Smith’s A Tree Grows in Brooklyn, a story about growing up poor in turn-of-the-century Brooklyn, shines a light on first- and second-generation Americans living in poverty. More
The I Can Read! series launches with the publication of Little Bear, written by Else Holmelund Minarik and illustrated by Maurice Sendak, and becomes the number one beginning reader series in the United States. More
For years, the Harper brothers relied on a white draft horse named Dobbin, who plodded a circular path in the basement of their offices, turning a wooden shaft that powered the Treadwell hand press two floors above, until new technology sent him out to pasture. More
During a time of expansion for Collins in New Zealand, the company obtains New Zealand Post Office Box #1 (which it continues to use to this day) and moves to a new building on Wyndham Street, which at eight stories high, was then Auckland’s tallest building. More
Grace Campbell’s debut novel, Thorn-Apple Tree, was one of the earliest works of fiction written by a Canadian to be published by William Collins Sons & Co. Canada Ltd. More
Signed with a paw print, this letter from “Padington” (circa 1966) was sent to Australian booksellers and sales staff, encouraging them to sell the latest Paddington title. More
Illustrator Thomas Nast first made his name documenting the Civil War in all its gruesome reality, but he is best known for developing the political cartoon form and our modern depictions of Santa Claus. More