For years, the Harper brothers relied on a white draft horse named Dobbin, who plodded a circular path in the basement of their offices, turning a wooden shaft that powered the Treadwell hand press two floors above, until new technology sent him out to pasture. More
Betty Smith’s A Tree Grows in Brooklyn, a story about growing up poor in turn-of-the-century Brooklyn, shines a light on first- and second-generation Americans living in poverty. More
In 1839, American diplomat John Lloyd Stephens and British artist Frederick Catherwood—both already celebrated for their adventures in Egypt, the Holy Land, Greece, and Rome—sailed together out of New York harbor on an expedition into the forbidding rain forests of present-day Honduras, Guatemala, and Mexico. More
Harper & Brothers helped groom the image of a future president when it agreed in the mid-1950s to work with a young senator on a collection of biographical sketches about courageous American lawmakers. More
With corruption rampant in New York City politics, the newly formed American Republican Party convinced James Harper, one of the brothers who had founded J. & J. Harper in 1817, to run for mayor. More
HarperCollins’s connections to nascent science fiction and fantasy worlds began with works such as Edward Lytton Bulwer’s The Coming Race (1871), and H. G. Wells’s The War of the Worlds (1898) and The Invisible Man (1898). More
One summer day in 1884, Horatio Harper, grandson of founder John Harper, began talking with a bright young boy during his regular steamboat commute from Long Island to Manhattan. More
Though a shared love of the written word inspired those who laid the foundation of HarperCollins, spreading Christian principles was a calling for them. More
James Harper went to Europe in 1835 to compile a set of fairy tales for publication, and Harper & Brothers enlisted Joseph A. Adams to make 81 detailed wood-cut engravings for the collection. More
In early 1945, Ursula Nordstrom, head of Harper’s Department of Books for Boys and Girls was awaiting completion of E. B. White’s manuscript for a children’s story about a talking mouse, titled Stuart Little. More
When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More