The Steam-Powered Press

For years, the Harper brothers relied on a white draft horse named Dobbin, who plodded a circular path in the basement of their offices, turning a wooden shaft that powered the Treadwell hand press two floors above, until new technology sent him out to pasture. More

Publishing Firsts: Stereotyping

The Harper brothers first began publishing in the early 1800s, when emerging technologies were fundamentally changing the process of printing–replacing the painstaking compositing, inking, and pulling processes needed for each page. More

Ursula Nordstrom

When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More

Publishing Firsts: Producing Books Electronically

Although word-processing programs and electronic typewriters had been around since the late 1960s, Harper & Row was the first to help pioneer electronic publishing with Andrew Garve’s The Long Short Cut in 1968, which was, according to the New York Times, “the first book set into type completely by electronic composition.” More

The Growth of Harlequin Romance

Lawrence Heisey, a former soap salesman who had been appointed president of Harlequin in 1971, revolutionized romance publishing by distributing Harlequin romances to supermarkets and department stores, where they would be right at the fingertips of Canadian and American homemakers. More

Thomas Nelson: The Beginning

In 1800, an upstart 20-year-old printer named Thomas Neilson (who later changed his name to Nelson) set off a firestorm of controversy throughout the Scottish publishing world by offering something never before seen in Great Britain: classic books produced and printed for “the common man.” More

Publishing Firsts: The VendAvon

Chips, cookies, sodas–and books–from a vending machine. Avon’s entertaining comic books—western, horror, romance, war, science fiction, and gangster titles, mostly—appealed to readers of all ages from 1945 through the mid-1950s. More

The Woman in White

One of the earliest works of detective fiction, this story caused a sensation with readers at the time. More

I Can Read!

Inspired by an occasion in which she attempted to find an appropriate book for a young boy who had just learned to read, Boston librarian Virginia Haviland telephoned her friend Ursula Nordstrom, the head of children’s publishing at Harper & Brothers. More