Russell Hoban is known for his classic series about Frances, a badger who is a picky eater with a huge aversion to eggs (Bread and Jam for Frances). More
By 1844, Thomas Nelson’s company had grown large enough to open an office in London, under the leadership of Thomas Nelson Jr. and William Nelson. More
This original illustration by Italian artist Giorgio de Gasperi was used as cover art for a 1965 edition of The Lion, the Witch and the Wardrobe published by Collins in the U.K. More
Billy Collins, William Collins Sons & Co.’s incumbent chairman, greets Queen Elizabeth II and Prince Philip, Duke of Edinburgh, at the Collins Glasgow offices as part of the company’s celebration of its 150th anniversary in 1969. More
This letter from Agatha Christie (here signing with her second married name, Mallowan) shows the close relationship she had with Collins publisher Billy Collins. More
In 1958, an editor at Collins named Barbara Ker Wilson received a manuscript submission about a talking bear, which she opened with “initial suspicion” —as the publisher had received many other proposals featuring humanized animals that “are invariably either whimsy-whamsy, written down, or filled with adult innuendoes.” More
Although word-processing programs and electronic typewriters had been around since the late 1960s, Harper & Row was the first to help pioneer electronic publishing with Andrew Garve’s The Long Short Cut in 1968, which was, according to the New York Times, “the first book set into type completely by electronic composition.” More
This humorous letter from 1970 was written by Ursula Nordstrom, head of the U.S. Harper Children’s division, to Frog and Toad Are Friends author and illustrator Arnold Lobel. More
When Anne Carroll Moore, the powerful and opinionated superintendent of children’s work at the New York Public Library, asked Harper & Brothers editor Ursula Nordstrom why she felt qualified to produce children’s books, Nordstrom said only this: “Well, I am a former child, and I haven’t forgotten a thing.” More
Illustrator Syd Hoff sent these sketches to Ursula Nordstrom, head of the U.S. Harper Children’s division, as suggestions for the now-classic Danny and the Dinosaur.More
In 1860, Harper & Brothers had paid Wilkie Collins £750 for The Woman in White, which heralded the publisher’s entry into the crime and mystery genre. More